Willpower is Overrated
Apr 20

Cute!
(Source: rookiemag.com)
Apr 18

Fuuuckkkkk.
This universe we live in is amazing, y’all.
(Source: National Geographic)
Apr 17

(Source: rookiemag)
Apr 16
[video]
Apr 09

Whatevermore.
(so many Poe memes)
Apr 06
Mar 31
[video]
Mar 28

(Source: rookiemag.com)
Lot’s Wife by Gary J. Whitehead
Sometime soon after the embers cooled,
after dust clouds settled, after the last strings
of smoke, hoisted by desert breezes, cleared the air,
they must have come, people of those three cities
remaining, to pick among the charred bones,
the rubble of what was once temple and house,
stable and brothel; to kick at stones; to tug
at handles of buckets, blades of shovels and spades.
Later, raising ash plumes in the scorched plain,
cloths at their mouths and noses, eyes burning,
neither fearful nor repentant but full of wonder,
full of the scavenger’s overabundant hope,
they would have found her—even as now
some men encounter the woman of their dreams
(beauty of the movie screen, princess they capture
with a camera’s flash, girl whose finger brushes theirs
when she takes their card at the market register)—
found her, that is, not as the person she was
but as whom they needed her to be, and, man or woman,
each of them would have wanted a piece of her.
Standing in that wasted landscape,
she must have seemed a statue erected there
as a tribute to human frailty, white, crystallized,
her head turned back as if in longing to be the girl
she had been in the city she had known.
And they must have stood there, as we do,
a bit awestruck, taking her in for a time,
and then, with chisel and knife, spike and buckle,
chipped at her violently and stuffed their leathern
pouches full of her common salt, salt with which
to season for a while their meat, their daily bread.
(Source: poems.com)
Mar 25
Praise Song to Stone: For My Father by Qwo-Li Driskill
Praise sternum
cracked like mica after
truck’s impact
Praise teeth in
lower jaw sheared clean as
marble rushing
down his throat
Praise ghosts watching from
behind granite graves across
the street at the Rosebud Cemetery
Praise body arched like
sandstone illuminated by
headlights as it flashes through air
before landing on the other side
Praise dust that surges
as he hits earth
scatters like crows and disappears
quick as the car’s driver
into the pre-dawn
dark
Praise the crack of vertebrae as it slips
like a fault line
the schism of spine that cleaves
like feldspar
Flecks of shale that glint like witness
embedded in his side
Praise the cleavage of ribs
jagged as a saw
as they pierce through lung tissue
Praise the lungs
Praise the ghost who leans over his
body gentle as breeze through muslin curtain
shouts through gurgle of jugular Go away. This graveyard is full.
Praise the dead
Praise blood
slow as lava
beating from skull
onto the road’s shoulder
Praise gravel
warm and full as
a mosquito
Praise the blood
Praise the quartz crystal
in the man’s cell phone
who stopped his car
dialed 9-1-1
covered my father with a blanket
Praise the diamond
the size of a tear
on the wedding band of
the doctor who declared
He might live
even after the machines
confessed there was no brain activity
Praise mercy
Praise the heart of red jasper
that stopped beating
and beat again
that stopped beating
and beat again
inside the helicopter
as it buzzed over the valley
Praise diamond edge
of the scalpel as it
slices skin like silk
to fit bone back inside
right arm
Praise the bone
Praise the arm
Praise the ghosts of children
who played hopscotch
on the beige tiles of intensive care room
who laughed because of impossibility
And praise the living
Praise the living
Praise the living
This marvel of bone
revelation of marrow
awe of skin that knits
itself back together
Praise this miracle of the quick and the dead